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    <AnnotationProperty rdf:about="http://purl.obolibrary.org/obo/IAO_0000115"/>
    


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        <rdfs:label xml:lang="en">Jewish impersonation</rdfs:label>
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    <Class rdf:about="http://purl.obolibrary.org/obo/GSSO_009083">
        <rdfs:label xml:lang="en">Jewface</rdfs:label>
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        <ns2:Q1823134 rdf:datatype="http://www.w3.org/2001/XMLSchema#anyURI">http://id.loc.gov/authorities/subjects/sh2019101411</ns2:Q1823134>
        <ns3:IAO_0000115 xml:lang="en">A vaudeville act that became popular among Eastern European Jews who immigrated to the United States in the 1880s. The name plays off of the term &quot;Blackface,&quot; and the act featured performers enacting Jewish stereotypes, wearing large putty noses, long beards, and tattered clothing, and speaking with thick Yiddish accent. Early portrayals were done by non-Jews, but Jews soon began to produce their own &quot;Jewface&quot; acts. By the early 20th century, almost all the &quot;Jewface&quot; actors, managers, agents, and audience members were Jewish. &quot;Jewface&quot; featured Jewish dialect music, written by Tin Pan Alley songwriters. These vaudeville acts were controversial at the time. In 1909 a prominent Reform rabbi said that comedy like this was &quot;the cause of greater prejudice against the Jews as a class than all other causes combined,&quot; and that same year the Central Conference of American Rabbis denounced this type of comedy.</ns3:IAO_0000115>
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